Listened to the earlier Thain links you posted Ssoyd and which I'd forgotten about. Damn he's creative, if I didn't know better I'd think it was prime Entwistle, and that's a huge compliment obviously. He'll get a spot here, and a good one
Very impressed by the Heep's music too, they're fantastic. Another true metal band in the 70s, who knew?
StuBass wrote:
OK...I think we're ready to move on boss. Let's not get hung up on the 20-30 slots too much, or by the time we get to 50+ I'll be in Hospice Care. As Marvin Gaye said..."Let's Get It On" lol...Failure to make a decision is making a decision to fail!
Hahaha classic Stu. You have a point.
Ssoyd wrote:
I actually like Ian's voice. He just wasn't a high pitched screamer which for me was a refreshing change from all the Robert Plant imitators.
The Plant imitators - and in my book, Plant himself in many (most?) cases - are extremely irritating. But I mean today's Ian Anderson, he's kinda lost his voice :-/
Bought
Benefit recently btw and very impressed, been listening to it a lot, great album
Ssoyd wrote:
It's not right to degrade [Thain] because in the early 70's there were far more great bass players than in the late 70's and 80's with which to compare. Harris and Burton may have stood out more because when they played more simplicity in bass playing was in fashion.
There's a lot of truth to this and it's a point I'm glad someone pointed out, it's worth taking into account this issue of some eras of rock being more saturated with great players than others. (Analogous imo to Joey and Travis being overrated today as drummers because they don't have too much competition; stick em in the early 70s and they don't make drum mag covers.) Still think Harris and especially Burton are more creative than Thain but he's damn good and I reckon it's close between him and Harris. I need to buy some Heep, after I do my opinion may change
I WISH you could buy the Metallica albums like that Neg! Those mixes with boosted bass guitar were made by using Guitar Hero: Metallica, which isolates the different studio tracks (drum, bass, etc). Any song off that game, you can find a boosted bass version of on youtube
Also if you like Cliff check out Kill 'Em All which is the one Cliff-era Met album which already had bass high in the mix to begin with
Negative Creep wrote:
Ariel wrote:
I fail to see how it's possible to be unique but not creative. Not trying to pick on you, just sayin'
Just look at Keith Moon.
Nah you're just wrong
Negative Creep wrote:
Ariel wrote:
That Hamm performance is a work of art, indeed. It's absolutely earth shakingly outstanding.
More epic Hamm:
http://www.youtube.com/watch?v=6LSwiMapeFsWhat do you think?
This guy REALLY knows how to phrase his notes. Damn.
Yeah I'll say he's more creative than Harris without any doubt.
I think it would be more difficult for someone who's good to do an accurate/believable Harris impression style wise than Hamm impression. In terms of doing an impression that a listener who is very familiar with the artists in question can't tell the difference between this player and Harris/Hamm himself
Negative Creep wrote:
Ariel wrote:
Also Neg please check out the myspace link I posted on the last page! You'll love it, great GREAT GREAT late 60s band (the myspace page is a tribute which has some of their music on it)
I just did, that was some great shit indeed. Especially the bassist, that's just impossible not to love!
Band's called Touch. Read this, it will BLOW YOUR MIND (I urge all forumites to read this, very very interesting piece of rock history right here):
http://allmusic.com/artist/touch-p389183http://allmusic.com/album/touch-r51329(those are two diff links, lol...read em both, they're both brief/short)
beaverteeth92 wrote:
Ariel: The entire "Come Taste the Band" album by Deep Purple. Tommy Bolin really pushed Hughes's versatility.
Looking forward to checking some of that stuff out

...eventually
StuBass wrote:
I'm pretty well neutral on this Lesh/Casady deadlock. Perhaps they're both just a tad high...perhaps, but I could make a rational argument for either one being placed slightly ahead of the other. Both impactful...Casady perhaps enjoyed better bass oriented material...especially the Hot Tuna acoustic oriented stuff like Coconut mentioned while Lesh turned what could have been boring into interesting interpretations... especially those "deadheads" who needed a significant bottom end throb to free the hallucinegenic impulses beating on their brain. Ariel...it's all gonna be on you . That's what you're getting paid for...
Excellent post, good general survey of the terrain of this Lesh/Casady discussion
Negative Creep wrote:
Ariel/Stu/whoever,
Regarding the Casady/Lesh thing, I may be speaking out of bias 'cause I was never really into the Dead all that much, and Lesh never really stood out to me.
But Casady, by contrast, definitely stands out when he plays. Check these out:
http://www.youtube.com/watch?v=lHmiFHzPqbM(earth-shaking solo starting at 1:44)
http://www.youtube.com/watch?v=-Ia2YcPw ... ure=relmfu(awesome little divebomb at 0:45)
http://www.youtube.com/watch?v=jR4IG6go ... ure=relmfu(just a killer song with a killer bassline)
Absolutely blown away
Ssoyd wrote:
Phil Lesh is every bit as good as Casady. Listen to the following and notice how Lesh weaves in, out and around the music constantly improvising, without showing off. He literally invented the Jam Band style of bass playing. Lesh was born to be a Jazz player but instead got sidetracked into Rock.
http://www.youtube.com/watch?v=MimBFN0VByshttp://www.youtube.com/watch?v=Js5eNljO ... re=relatedOkay I'm convinced, Lesh takes Casady in creativity. Wow. They're close. Both deserve to be considered bass gods, not demi gods, actual gods. Wow.
Thanks everyone for the spirited discussion, posting all the performances by these two, etc.
Watching the first of those Lesh videos reminds me, wasn't he one of the innovators of the 6 string, too? And one of the defining pick players ever? More reason for him imo to be ahead of Casady tbh