Ssoyd wrote:
Ariel wrote:
What's funny is everyone on the internet and otherwise (other than hipster fucks, whose opinion is irrelevant) seems to agree that the 80s and the 00s were the sucky decades...here's to the '10s being better!

That's because in those decades the Record companies had the tightest control over what music was put on record. That means music that sells the most while creativity and anything that is different is discouraged. When the bands and musicians have more control there is more creativity and more chances taken. There was a period in the 60s and 70s where the record company executives had no idea what would sell so they put all kinds of stuff on record and hoped it would sell. Variety was king.
Exactly.
StuBass wrote:
I found the Bass Player Magazine article from the Bass Giants issue from 2006. Some interesting things about Jack Casady. His early influences were the upright guys, Mingus and LaFaro. His electric bass influences are the usual suspects...Jamerson, Dunn, The James Brown guys...then later Entwistle, Bruce, Macca, etc. ..Working with a non conventional jazz oriented drummer with JA...Spencer Dryden, necessitated him to alter his style and provide more fills and rhythms in the band. Perhaps his biggest part of his distinctive style was his interest in electronics and his incorporation of distortion in his output. He credits that largely to the Versatone amp he aquired and pushed to the limit.
Cliff Lee Burton...Great promise and some highly innovative stylistic innovations. Question becomes...how "great" (all-time) can a guy be (through no fault of his own) whose entire significant career was encapsulated in three short years featuring only three studio albums of note? Obviously, longevity can't be a factor, nor can growth, versatility, and consistancy be objectively viewed as career factors. Potential can't really be factored in as an element of greatness.
Interesting stuff about Casady. You a James Brown fan Stu? Was Bernard Odum his main bass player of note for the purposes of a list like this?
I see Burton as a metal Scott LaFaro basically. Sure his life was short but he was so great, innovative and important that he more than justifies a good spot on this list. If it were just that he was talented and innovative that would be one thing, but his influence is too high that combined with everything else he does too well to keep him down in the 30s or 40s imo. Bear in mind he's universally seen by the metal community as THE bass god of metal, sort of how people see John Entwistle in rock.
StuBass wrote:
Eddie Watkins Jr...Detroit based (and later Los Angeles) player who did play on some significant hits for several artists and boasts some very solid performances. That said...stylistically not all that versatile and really didn't innovate much if anything. Might rank on an all R&B list, but I'd have trouble making a real strong case for him on this list...not that I don't see several names throughout this list that Eddie could play circles around.
Tony Newton...a few early Motown sessions, but mostly the touring guy with Motown. Some nice tracks on Invictus though, and performed and recorded with some other significant artists.
I want to hear your Newton story!
Dude is so creative that he probably will get a spot here based largely on that. Any other songs I should check out (other than She's Not Just Another Woman) from him? I want to hear more!
Also...Babbitt...I want to start looking into his playing more. I own What's Going On, what else should I get? Cheers
Negative Creep wrote:
Casady > Lesh.
Am I wrong?
They seem more or less analogous to me, bleh. I'm almost certain they'll be the top two ranked guys in the 18-28 stretch.
Ssoyd wrote:
Negative Creep wrote:
Casady > Lesh.
Am I wrong?
Tough to say. Lesh is really good and his melodic improvisational style was very influential. Back in the 70s he was considered one of the best bassists in Rock.
As always, appreciate your input and recollections Ssoyd :-) It's actually very helpful information, knowing how people felt about the player back then, in terms of figuring out where they should end up on this list.
Machine Head wrote:
Ariel wrote:
What's funny is everyone on the internet and otherwise (other than hipster fucks, whose opinion is irrelevant) seems to agree that the 80s and the 00s were the sucky decades...here's to the '10s being better!


ahaha
D.J. wrote:
18. John Deacon/Steve Harris
19. John Deacon/Steve Harris
20. Phil Lesh
21. Jack Casady
22. Stu Hamm
I'd see Burton's ranking in the 30/40 field.
Nahhh if this were a talent list Deacon would be top 10 or 15 but in terms of greatness he can't be that high, sorry. Harris is just too limited and un-ambitious to jump guys like Phil and Jack, not to mention he came too late lol. I appreciate your input though
How do people here (that includes you DJ) feel about Phil v Jack?
Negative Creep wrote:
Ariel wrote:
Latest haul (tonight): Sticky Fingers, Beyond Magnetic, Trespass, Beat, Freaky Styley, ...And Out Come the Wolves. Cheers! Good haul (the fact all these bands have outstanding bassists..minus maybe the Stones but I still like Bill a lot...is merely a coincidence, lol)
Funny you mention the Stones, I know a guy who always used to say "Bill Wyman is the best damn bass player in rock & roll". I love Wyman but I never quite understood that claim...
No accounting for taste, I guess.
Yea but that dude's taste is just wrong lol. Bill is still good though
Classic Rock Junkie wrote:
So where are we putting Justin Chancellor? high I hope.
He'll get a respectable spot. Very creative and surprisingly innovative. Cheers